Katharina Sieverding

Art and Capital. From 1967 to 2017

11 March to 16 July 2017

Internationally renowned as a pioneer of unconventional visual strategies and an innovative media-led creative practice, Katharina Sieverding has revitalised the artistic potential of photography. She introduced the super-sized format as a key element of her exhibitions at a time when this was far from common practice. An assertion-turned-object, the large format manifests itself through projections after experimentation with different sizes.

«No image is conceivable without the entirety of all the images that are in the world.»Katharina Sieverding

Sieverding’s serial photographic works give expression to reflections about identity, gender discourses and the necessary emancipation of the role of the female artist as well as about the current social, political and cultural climate. Her archive is a repository of recollections and knowledge. Mirroring the artist’s themes and subjective perception of current events, it conveys an image of the time.

Since the 1960s, using film and photography, Sieverding has employed her portrait with unparalleled consistency, often blowing it up it to monumental size and manipulating it in myriad ways. In the 1970s, with astonishing prescience, she began to develop her large-format multilayer montages on the state of the world, which were first presented to an international audience at documenta 6 in 1977. But the artist also addresses fundamental questions about art and the conditions of its production and reception. She investigates the relationship between individual and global, microscopic and macroscopic structures. Her creative practice not only reproduces the accelerated visual processes of the present, it also scrutinises them in terms of responsibility, not least her own.

The retrospective exhibition presents a survey of Katharina Sieverding’s serial photographic works from 1967 to today complemented by floor-to-ceiling projections that allow the artist to visualise the innovative power of her archive of images.

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Admission tickets

€10/ €6.50 (concessions), Family ticket €16

School groups enjoy free admission to the exhibition on Fridays (booking necessary)
Happy-Hour-Ticket: 7 € (available two hours before the museum closes; individual visitors only, all exhibitions.) Combined ticket for all exhibitions available. More information

Show bibliography
Illustrations
  1. Katharina Sieverding, Global Desire, 2016, detail© Katharina Sieverding, VG Bild-Kunst, Bonn 2017 © photo: Klaus Mettig, VG Bild-Kunst, Bonn 2017Katharina Sieverding, Die Sonne um Mitternacht schauen SDO/NASA (Blue), 2010–2015 © Katharina Sieverding, VG Bild-Kunst, Bonn 2017 © photo: Klaus Mettig,VG Bild-Kunst, Bonn 2017
  2. Katharina Sieverding, Transformer, 1973/74, exhibition view, Close Up, MoMA PS1, New York 2004–2005© Katharina Sieverding, VG Bild-Kunst, Bonn 2017 © photo: Klaus Mettig, VG Bild-Kunst, Bonn 2017Katharina Sieverding, Transformer, 1973/74, exhibition view, Close Up, MoMA PS1, New York 2004–2005 © Katharina Sieverding, VG Bild-Kunst, Bonn 2017 © photo: Klaus Mettig, VG Bild-Kunst, Bonn 2017
  3. Katharina Sieverding, Die Sonne um Mitternacht schauen SDO/NASA (Blue), 2010–2015© Katharina Sieverding, VG Bild-Kunst, Bonn 2017 © Foto: Klaus Mettig, VG Bild-Kunst, Bonn 2017Katharina Sieverding, Die Sonne um Mitternacht schauen SDO/NASA (Blue), 2010–2015 © Katharina Sieverding, VG Bild-Kunst, Bonn 2017 © Foto: Klaus Mettig,VG Bild-Kunst, Bonn 2017

Kunst- und Ausstellungshalle der Bundesrepublik Deutschland

Museumsmeile Bonn
Friedrich-Ebert-Allee 4
53113 Bonn
T +49 228 9171–200

Opening hours

Mondays closed
Tuesdays and Wednesdays, 10 a.m.–9 p.m.
Thursdays–Sundays, 10 a.m.–7 p.m.
(including public holidays even those which fall on Mondays)

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