Past exhibitions

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2018

The Playground Project

13 July to 28 October 2018

Between 1950 and 1980, the playground was a creative laboratory. In the cities of the industrialised world, a plethora of innovative, crazy, interesting and exciting projects were developed. Landscape architects, artists, activists and citizens sought to provide children with the best possible environment to play in and, at the same time, to rethink communal and urban life. The Playground Project captures this wealth of ideas in images, models, plans, books and numerous films as well as in play sculptures that invite visitors to slide, play hide and seek, laugh and run. Children, parents, playground designers, educators and architects are welcome to rediscover the playground of yesteryear and to imagine that of tomorrow.
Taking its starting point in the work of the pioneers of new playground concepts in the first half of the twentieth century, the exhibition shows how their ideas were received, adapted and developed in different countries. The playground is more than just an element of urban life; it also says much about the society that devised it. Last, but by no means least, the exhibition presents playgrounds as sites with a non-standard aesthetic of their own, where citizens of all ages identify with their city.

The Playground Project was developed as a travelling exhibition by Gabriela Burkhalter and adapted for its presentation at Bundeskunsthalle in cooperation with Kunsthalle Zürich.

The Playground Project
Outdoor

31 May to 28 October 2018

To complement The Playground Project, the Bundeskunsthalle is opening the roof garden and the museum square to Outdoor, an exhibition on the subject of ‘Play’, which provides contemporary artists Nevin Aladağ, Kristina Buch, Ólafur Elíasson, Jeppe Hein, Carsten Höller, Christian Jankowski, Llobet & Pons, Michel Majerus, Andreas Schmitten, Thomas Schütte, Superflex, Rirkrit Tiravanija, Alvaro Urbano and Ina Weber with an opportunity to design interactive installations and spaces, forms and utensil for play. Visitors are invited to experience art in a playful, participatory and performative manner. According to a philosophical definition of Homo ludens, play is a primary condition of the generation of culture, because it is through play that Homo ludens, unlike Homo faber, develops his skills. It is in play as a fundamental, formative and necessary human activity that he discovers his individual qualities, and this experience allows him to develop his dormant personality. In this definition, play is equated with freedom and autonomy of mind.

Vajiko Chachkhiani
Heavy Metal Honey

29 June to 14 October 2018

Vajiko Chachkhiani’s works explore existential questions of life and our culture of remembrance. They are notable for the conceptual intelligence and quiet poetry with which he invests even violent themes such as war and death. Looking more closely, the viewer can share in the thought processes and research of the Georgian artist. He retells allegories of everyday life in seemingly familiar images but subtly undermines them with unexpected twists. The artist’s films, sculptures, photographs and extensive installations suggest different paths and weave them into a unified whole.
For the exhibition in Bonn, Chachkhiani develops a film and sculpture installation that reflects the cycle of life and the parallelism of stories. Heavy metal in the ground stands as a metaphor for history and honey – sweet but viscous – as a metaphor for internal family structures. Global and individual history share points of intersection at which they are inextricably linked. And it is only the moment of action and recognition that can flip a switch and set stories/history on a different course that changes the narrative.

Nazca. Divine Drawings
Archaeological Discoveries
from the Peruvian Desert

10 May to 16 September 2018

In the southern Peruvian desert, one of the biggest archaeological mysteries is waiting to be solved: the giant geoglyphs of the Nazca culture of ca. 200 BC – 650 AD.
There has been endless speculation about the meaning of the Nazca Lines. But it was not until recently that archaeological research has provided clues to the worldview and culture of the Nazca.
The exhibition takes visitors on a fascinating journey into the mysterious southern Peru of the Nazca period. It invites them to marvel at rich funerary gifts from vast burial complexes, images of strange flying beings – half human, half animal – on colourful ceramic vessels and the most stunningly beautiful archaeological textile finds. Many of the exhibits have never been shown outside Peru. The geoglyphs, some of which extend over several kilometres on the arid plateau between the towns of Nazca and Palpa, are presented in modern multimedia installations.

An exhibition of Museo de Arte de Lima – MALI – and Museum Rietberg, Zürich, in cooperation with Bundeskunsthalle

Marina Abramovic
The Cleaner

20 April to 12 August 2018

Radical, controversial and admired in equal measure, Marina Abramović is one of the most talked about international artists today. She is famous for her ground-breaking performances in which she explores personal experience and responsibility and continues to probe her own physical and psychological limits. She addresses fundamental existential questions – the passage of time, physical vulnerability, memory, pain, loss, endurance and trust – that provoke or touch the viewer with great immediacy.
The first major retrospective to be shown in Europe, the exhibition presents works from all periods of Abramović’s career – from the early years to the present. Films, photographs, paintings and objects, installations and select archival material shed light on the depth and conceptual reach of the Marina Abramović’s creative cosmos. A series of reperformances enhances the visitor experience.

An exhibition of Bundeskunsthalle in cooperation with Moderna Museet, Stockholm, and Louisiana Museum of Modern Art, Humlebæk

“Germany is not an Island”
Contemporary Art Collection of the Federal Republic of Germany
Acquisitions 2012 – 2016

8 March to 3 June 2018

The exhibition presents a selection of works acquired over the last five years by a specialist committee for the Contemporary Art Collection of the Federal Republic of Germany. It includes works by renowned young artists. The acquisitions testify to the high standard of the Federal Collection and show how historical and current developments, collective viewing habits and the questioning of image constructs translate into contemporary art. Ranging from large-scale installations to drawing, painting, sculpture, photography, video and sound works, the selection bears witness to the wealth of media and techniques that distinguish contemporary artistic practice.

An exhibition of Bundeskunsthalle in cooperation with the Federal Government Commissioner for Culture and Media

Traces in Space
An exhibition of grant-holders of the Konrad Adenauer Foundation’s artists’ programme

23 February to 22 April 2018
– Free admission –

Five artists embark on a journey. Exploring the interplay between intimacy and distance, they create ambivalent experiential spaces in which the familiar becomes strange and the strange familiar. The artists’ sense of their own situatedness and position remains fleeting, decampment and departure are already envisaged. Working in different formal idioms and media – photography, text, sculpture and installation – Stef Heidhues, Veronika Kellndorfer, Cyrill Lachauer, Alexej Meschtschanow and Hans-Christian Schink formulate spatial experiences that briefly touch upon the question what truth might actually mean.
In the exhibition, the participating artists leave traces of their encounters and lay them as trails. Visitors following their lead do not so much experience coherent stories as layers of disparate experiences that elude documentary cartography despite recognisable spatial and historical references. Ambivalence becomes the criterion of artistic practice and the precondition for insight.

Each of the artists is a grant-holder of the EHF 2010 trustee programme.

Show bibliography
Illustrations
  1. Michel Majerus, if we are dead, so it is (Ausschnitt), 2000, Installationsansicht: Michel Majerus, Kunstmuseum Stuttgart, 2011/2012 © Michel Majerus Estate, courtesy neugerriemschneider, Berlin und Matthew Marks Gallery, Foto: David FranckMichel Majerus, if we are dead, so it is (Ausschnitt), 2000, Installationsansicht: Michel Majerus, Kunstmuseum Stuttgart, 2011/2012 © Michel Majerus Estate, courtesy neugerriemschneider, Berlin und Matthew Marks Gallery, Foto: David Franck

Kunst- und Ausstellungshalle der Bundesrepublik Deutschland

Museumsmeile Bonn
Friedrich-Ebert-Allee 4
53113 Bonn
T +49 228 9171–200

Opening hours

Mondays closed
Tuesdays and Wednesdays, 10 a.m.–9 p.m.
Thursdays–Sundays, 10 a.m.–7 p.m.
(including public holidays even those which fall on Mondays)

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