Interactions x WE/trans/FORM

1 May to 26 October 2025 // FREE OF CHARGE
 

 

With Interactions, we are once again inviting you to engage in various forms of interactive play offered throughout the summer by numerous artistic interventions both inside and outside the Bundeskunsthalle. These interventions will give you, your family and friends the opportunity to play an active role in the enjoyment of art. The Bundeskunsthalle has designated 2025 as the Year of Sustainability, and the subject of sustainability will also inform the design of the Bundeskunsthalle’s popular roof garden, which will open on 1 May. Complementing a work that supports biodiversity, many of the installations on display combine interactivity with ecological concerns.

The museum plaza, the south lawn, the foyer and the inner courtyard will feature numerous works of art to complement the existing outdoor artworks, among them Jeppe Hein’s water pavilion, the Circular Appearing Rooms, which graces the plaza every summer, and Carsten Höller’s celebrated Bonn Slide, which connects the roof and the plaza, spiralling around its own axis. In the spirit of sustainability, Temitayo Ogunbiyi’s organic climbing frame, You will follow the Rhein and compose play (from his Playground series) and Olaf Nicolai’s three football goal walls, Camouflage/Torwand 1–3 [Croy, Kleff, Maier], will also remain in place and once again enrich the interactive playground.

WE/trans/FORM
On the Future of Building

6 June 2025 to 25 January 2026
 

 

The Bundeskunsthalle has designated 2025 the year of sustainability and ecological change. Central to the programme is an international exhibition and networking project on sustainable architecture and urban development in Europe. The exhibition invites visitors to take an active interest in the future of our built environment. The focus is on key practices such as the regeneration of existing buildings, climate-resilient answers to the challenge of extreme weather events, the promotion of biodiversity, circular recycling and the development of models for the future.

Among the projects on show will be those that deal with rising water levels on the coasts of the Netherlands, such as that of the architecture firm MVRDV (Rotterdam), or with the drought in Spain, such as that of the Office for Political Innovation (Madrid). New buildings constructed from natural materials such as rammed earth, for example by Anna Heringer (Laufen), or wood by Avanto Architects (Helsinki) will be presented, as will conversions of existing buildings. Innovative research projects such as NEST UMAR (Next Evolution in Sustainable Building Technologies / Urban Mining and Recycling) at the Karlsruhe Institute of Technology or the Hybrid Flax Pavilion by the University of Stuttgart explore new approaches to circular material cycles and computer-based construction methods.

An initiative of the Bundeskunsthalle in partnership with the New European Bauhaus and tranform.NRW.

W.I.M.
The Art of Seeing

1 August 2025 to 11 January 2026
 

 

On the occasion of his 80th birthday, the Bundeskunsthalle is dedicating a large, immersive and visually powerful exhibition to the filmmaker and artist Wim Wenders, which is being conceived together with the DFF – Deutsches Filminstitut & Filmmuseum.

The internationally acclaimed filmmaker and artist became famous with films such as The Goalie’s Anxiety at the Penalty Kick (1972) and Wrong Move (1975), both based on works by Peter Handke, Alice in the Cities (1973/1974) and The American Friend (1977), based on a novel by Patricia Highsmith. Other cinematic milestones include Paris, Texas, which won the Palme d’Or in Cannes in 1984, and Wings of Desire (1987). He received an Oscar nomination and the European Film Award for Buena Vista Social Club (1999). In 2024, Perfect Days (2023) was nominated for an Oscar and celebrated as the best film in the Asia-Pacific region.

Wim Wenders is also renowned for his sensitive documentaries about fellow artists, among them Pina (2011) and, most recently, Anselm (2023) shot in 3D. The exhibition sets out to focus not only on his innovative cinematography but to present it alongside a survey of his wider creative output. This includes his photographs, collages and drawings, as well as his extensive personal film library, posters and his ‘electronic paintings’. Storyboards, props and behind-the-scenes material, inspiration drawn from art and music and, as a special highlight, a large immersive cinematographic installation with state-of-the-art image and sound technology invite visitors to immerse themselves in Wenders’ cinematic oeuvre. In the audio guide, Wim Wenders himself takes visitors through the exhibition and offers insight into the context and background of the exhibits.

An exhibition of the Bundeskunsthalle, Bonn, in co-operation with the DFF – Deutsches Filminstitut & Filmmuseum, Frankfurt am Main, the Wim Wenders Stiftung, Düsseldorf, Wenders Images, Berlin and with the kind support of Road Movies, Berlin.

Expedition to the World's Oceans

2 October 2025 to 6 April 2026
 

 

Approximately 70 % of the Earth’s surface is covered with water, of which 96.5 % is seawater. The oceans are thought to be the source of all life on earth. They provide raw materials, energy, food, transport routes and function as a climate machine. Humans have been using the ocean as a global highway for 4,000 years, so it seems almost paradoxical that today we know more about the surfaces of the Moon and Mars than about the world’s oceans, only 5 % of whose depths have been explored.

The complexity of the theme of the world’s oceans means that it can be approached from many different perspectives and angles. Taking a cultural, historical and scientific approach, our immersive exhibition focuses on the exciting and pleasurable exploration and investigation of different facets of maritime worlds and their processes of transformation. The exhibition concentrates on three main subjects: The deep sea with its mysterious habitats and fragile ecosystem, the oceans as a contested economic space and the basis for globalisation and, finally, the oceans as a place of longing and a space for the transfer of people and ideas. These mysterious realms have always inspired creative and enquiring minds: alongside objects from the realms of nature, science and technology, a selection of historical artefacts and works of contemporary art sheds light on the endangered beauty of maritime flora and fauna and encourages reflection on the colourful and chequered history of man and the sea.

Federal Prize for Art Students

6 November 2025 to 4 January 2026
 

 

The Federal Prize for Art Students is awarded every two years by the Federal Ministry for Education, Family Affairs, Senior Citizens, Women and Youth and is aimed at students of the 25 German art academies that are members of the Kunsthochschulenkonferenz. Each academy submits two nominations, from which an independent jury then selects up to eight positions.

The Federal Prize for Art Students was established in 1983 under the title Kunststudenten stellen aus (Art Students Exhibit) and has been accompanied by an exhibition at the Bundeskunsthalle since 1994. The prize is considered one of the most important awards for young artists in Germany.

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