Dress Code
Are you playing fashion?

21 May to 12 September 2021

How did you choose the clothes you are wearing today? Designer dress or jeans; suit, sweatpants or uniform – every culture, era and social group has its own dress codes. They set the framework, but each person comes up with their individual take on the rules.
Now coming to Europe, Dress Code, the hugely successful exhibition from Japan, presents fashion as a game and the daily transformation as an instrument for expressing our personality. On show are instantly recognisable fashion classics as well as their streetwear descendants. Contemporary fashion by seminal designers such as Giorgio Armani, Chanel, Comme des Garçons, Issey Miyake, Burberry or Louis Vuitton is set into an insightful dialogue with contemporary art.
The exhibition examines different and opposing attitudes to fashion – those of participants and spectators, individualists and conformists. Our choice of clothing is presented as a communicative game that can lead us to a new understanding of our approach to fashion. What do we want to express with it – consciously or unconsciously – and what does it mean to us on a daily basis? The clothes we wear allow us to assume any number of new roles.
Complementing the exhibition, the Bundeskunsthalle is setting up a Fashion Lab that explores various themes of the exhibition in greater depth. The Lab’s numerous participatory elements offer visitors a sensory experience of the multifaceted nature of fashion. Visitors can explore creations by German fashion designers or style themselves virtually with the help of a smart mirror that uses the latest artificial intelligence and augmented reality technology. Further to a wide range of other off- and online offers, a pop-up photo area invites visitors to play it up with fashion.

An exhibition of the National Museum of Modern Art, Kyoto, and the Kyoto Costume Institute in cooperation with the Bundeskunsthalle.

Beuys – Lehmbruck
Thinking is Sculpture

25 June to 1 November 2021

There are not many artists who caused as radical an upheaval in the history of art as Joseph Beuys. With his concept of Social Sculpture, he sought to apply the liberating potential of art to all areas of life. At the very heart of his thinking was the dissolution of the boundaries between art and society, politics, science and education. Thus Beuys gave rise to a new, expanded concept of art.
In 1986, just a few days before his death, Beuys was awarded the Wilhelm Lehmbruck Prize. In his acceptance speech, he stressed the importance the art of the Expressionist sculptor had for him. He explained how his encounter with Lehmbruck’s work had led him to art in the first place and traced a connection between Lehmbruck and the development of his own concept of Social Sculpture. Marking the 100 th  birthday of Joseph Beuys, the exhibition Beuys – Lehmbruck. Thinking is Sculpture explores that idea and presents the work of the two artists.

An exhibition of the Bundeskunsthalle in cooperation with the Lehmbruck Museum in Duisburg. The exhibition is part of the Beuys anniversary year programme »beuys 2021. 100 years joseph beuys«, a project of the Ministry of Culture and Science of the state of North Rhine-Westphalia in collaboration with the Heinrich-Heine-Universität Düsseldorf. The patron is Minister President of North Rhine-Westphalia Armin Laschet.

The Rainer Werner Fassbinder Method
A Retrospective

10 September 2021 to 6 March 2022

Rainer Werner Fassbinder (1945-1982) was a man of many parts. The director, film producer, actor and author is considered one of the most important representatives of the New German Cinema. Like few other artists, he created a body of work that shaped and inspired the image of post-war intellectual Germany. The exhibition presents a comprehensive portrait of the great German filmmaker in the context of his time and links his oeuvre and his biography with the reality of everyday life he experienced in Germany.
Fassbinder’s exposed position, his creative non-conformity and artistic radicalism led to now-legendary films, television and theatre plays, such as Fear Eats the Soul, The Marriage of Maria Braun, Eight Hours Don’t Make a Day, Berlin Alexanderplatz and Querelle, which have become part of the collective visual memory. He was extremely prolific: in a career that lasted less than two decades, he wrote, directed or shot 45 feature films and 25 plays. Fassbinder was an artist who succeeded in synthesising radical subjectivity and social analysis in his works. He made this synthesis his method and the principle of his directorial practice. From the beginning, he moved between theatre, film/television and documentary styles, adapting his visual language to the needs of each form.
He lived and demanded intensity. His often contrary, critical attitude never got in the way of his profoundly affectionate depiction of people, irrespective of their milieu, and was invariably marked by respect and consistency. Fassbinder’s work – the subject of fierce debate during his lifetime – has lost none of its force, vitality and significance. To understand it means to be able to muster understanding and tolerance for ourselves and others.

An exhibition of the Bundeskunsthalle, Bonn, in cooperation with the DFF – Deutsches Filminstitut & Filmmuseum, Frankfurt am Main, and the Rainer Werner Fassbinder Foundation, Berlin.

'Adam, Eve and the Serpent'
Works from the Schenkung Sammlung Hoffmann

29 October 2021 to 13 February 2022

With a selection of some 200 outstanding works – ranging from painting, photography, drawing and sculpture to installation, film and video art – the Bundeskunsthalle presents a comprehensive survey of modern art drawn from the important private collection put together by Erika and Rolf Hoffmann. The Hoffmanns made their first acquisitions in the 1960s, purchasing primarily directly from artists, with whom they maintained a close dialogue from the very beginning. The exhibition offers deep insights into the collection in all its individuality, subjectivity and intensely private nature – Erika Hoffmann has been known to describe the works as ‘family members.’
The dialogical, corresponding and synergetic principle of the collection, which transcends borders and generations, is made manifest in the open and cross-media presentation. The exhibition sheds light on surprising correspondences, offers intellectual and emotional stimuli and reflects fundamental existential and philosophical questions that have a timeless validity in our society. Concepts such as energy, radicality, innovation, transience, corporeality or volatility are compellingly brought to life in works by artists such as Carla Accardi, Yael Bartana, Christian Boltanski, Monica Bonvicini, Isa Genzken, Felix González-Torres, Georg Herold, Barbara Kruger, Yayoi Kusama, Ernesto Neto, Julian Rosefeldt, Frank Stella, Wolfgang Tillmans and Andy Warhol. The rich diversity of artistic expressions in the exhibition reflects that of the collection.

A cooperation between the Bundeskunsthalle and the Staatliche Kunstsammlungen Dresden, Schenkung Sammlung Hoffmann

Federal Prize for Art Students

25th Federal Competition of the Federal Ministry of Education and Research
12 November 2021 to 30 January 2022

Every two years, the 24 German art academies nominate two of their best students to take part in the competition Federal Prize for Art Students. A jury of experts selects up to eight prize winners from among the nominees.
In the exhibition, each of the winners is given a room of their own. Their works are representative of the high quality and diversity of art currently produced at German art schools and academies – from performances with and without audience participation to films and installations and the classic disciplines of drawing, painting and sculpture. The Federal Competition is a unique platform that supports outstanding students and enables them to gain professional exhibition experience and to establish contacts within the art world.